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Please use this identifier to cite or link to this item: http://hdl.handle.net/10278/134

Title: La città metafisica di Max Jacob. "Le Cornet à dés" (1917; 1955)
Author⁄s: Martinuzzi, Paola
Date issued: 2005
Type of document: Article
Is part of: Annali di Ca' Foscari : Rivista della Facoltà di Lingue e Letterature Straniere dell'Università Ca' Foscari di Venezia, 2005, vol. 44 (1-2), pp. 289-305
Publisher: Padova, Editoriale Programma
Abstract: Max Jacob's poèmes en prose come in the wake of the revolutionary poème-illumination by Rimbaud. They offer a discontinuity which contracts lengths and distances in a fragmented vision acquiring the traits of metaphysical painting. This fragmentary nature, suspended in an ever-possible but never-defined polysemantic dimension, draws a disquieting and oneiric urban picture, the dramatic force of which finds a salvational escape in childhood memory.
Language: ita
Keywords: Max Jacob
Metaphysical Painting
Poème en prose
Access rights: open
Appears in Collections:Annali della Facoltà di lingue e letterature straniere di Ca' Foscari >2005 (44.1-2)

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